Full disclosure: I don't own an e-book reader. Maybe that's why I'm not too hip on e-books as described in this Huffington Post article by Paul Levine.
Funny, I don't recall anyone blissfully sniffing their books until the threat from e-publishing appeared. Now, readers can't resist comparing their moldy old tomes to the finest Bordeaux.
I'm not an e-book contrarian. In some ways I think e-books are cool. I work in technology. I love technology. If it was legal, I'd marry technology. As a tech writer, I've been making online documentation since before Project Gutenberg when AS/400s were the means to get electronic documentation. I may not have said "RTFM" first, but I was an early adopter. It's just that my online documentation isn't around anymore except on my hard drive. I have kept nearly every project I've written since my early days of CP/M and Wordstar. Here's the rub: when I try to open one of these old documents, here's what I get:
Why is that? Wordstar isn't around. Oh and check out this error:
That is Microsoft Word protecting me from my own early Word documents. Sure there's a work around but now we get into security and old files. Those who have not adventured to DIY PC maintenance may be at a loss as to how to recover that letter they wrote Aunt Marge telling her to stick it.
Do you know what this is?
This is a necessity for previous client work. Somewhere in this stack is Corel Ventura so I can open a bunch of documents I did for somebody many years ago. I don't know what the retention should be on holding that kind of work. I'm no longer independent, but if they want the source files, I have them. There are no rules for this other than everything changes.
How about PDF? It's an open standard right? The only wide and open standard is PDF/A is plain text and doesn't prevent anybody from copying and forwarding out the books. So we go back to digital rights management (DRM). I hate DRM. Why is it that I don't have the Beastie Boys' To the 5 Boroughs anymore? It's because I bought that album from MusicMatch in 2004 and Yahoo took MusicMatch and flushed it down the DRM hole. However, I still have all of the MP3s I purchased from Lala.com as real downloads and I'm glad I did since Apple seems to be treating Lala.com like MusicMatch's ugly step-sister's dog. I predict long-term e-book DRM will be full of headaches, lost purchases, and overcomplicated restriction. It's the nature of the business.
Also from that article is this:
The shelf life of dead-tree books roughly approximates that of a pint of yogurt, but out-of-print books get eternal life on the Internet.
Levine goes on to explain how one of his books is out of print but alive and well as an e-book. That's great for authors. But I point you to the photo above of my stack of CDs. In that stack are CDs of electronically published books I never reference. I forget about them. I forget who wrote them. I forget what they are about. The very fact I have terabytes of documents and a growing deficit of time to organize means more things are lost in the shuffle. I don't see much cover art and authors' names when I look in a directory.
Your book may live on forever on the Internet, but what is "eternal life"? Authors don't want to be pirated, but Levine discusses free classics and their abundance online. The classics are abundant because they are freely distributed. I can get Sherlock Holmes books from any number of sites in just about every format imaginable. But my favorite edition is this printed edition I had recovered after my dog chewed the spine.
It's not anything but a personal preference. When I buy a real book, it's tangible. While I don't normally smell my books, I will admit loving the bookstore smell. I also don't collect books in the first-edition-or-die sense. But here are my shelves:
Technical, business, and design books:
Living room fiction:
Bedroom fiction:
Eldest child fiction:
While my collection won't live forever, I've yet to have a shelf not allow me to read a book or give me something incompatible with my reading environment. I'm open to e-books, but not that open.
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Long Way From Home by The Heavy
I still love "real" books, hard copy books, but am trying to be selective about which ones I buy. I didn't think I would be a convert to eBooks, until my house flooded, and my three 6' bookshelves were submerged up to about 4' of water. I had to throw out about 450 books:
http://4.bp.blogspot.com/_Ejx8uVGCjHI/SiCbwQ3E-yI/AAAAAAAAAt0/T4MSOb9rUAw/s1600-h/DSC04851(rev+0).jpg
some of which are easy to replace, should I wish, some of which I should have borrowed from the library rather than purchasing, some of which I will never be able to replace. I still haven't mourned, and now don't even own a bookshelf (though my husband does, and there are books around, just not tidy on shelves).
My best friend spent HOURS going through soogy, still wet books three days after the flood, to note all the titles, authors, and ISBN details for me. I then spent many hours in the internet in the following weeks finding prices for the insurance claim. A handful I couldn't find prices/details for – the insurance company is still asking me to provide details, and handily suggested searching amazon.com. Yeah, because I hadn't already tried that while looking up 450 books …
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mkanderson Reply:
July 8th, 2010 at 9:14 am
Kirsty: I remember when this happened to you. I was horrified. @mattstaggs just commented on Twitter he differentiates between reading things and reading things he wants to keep. It's a good point. Things I want to keep digitally have caused me problems after a lot of time passes. Periodically I purge tech books. I seem to want to hold on to my fiction, though.
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Yes.
I have the same piles. Old software, old CDs filled with crap I've done. And I'll likely never look at it again. But when it's time to read something, it's a real book or magazine. I've had enough electronic screens at some point.
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Oh Kirsty, that picture is so painful.
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