73: Heavy Metal Soundtrack

by mkanderson on Mar 9, 2010

Heavy Metal Soundtrack at Amazon

Some people have Eraserhead. Others have The Rocky Horror Picture Show. And I think a couple of people in Denmark like Gigli. However, my favorite cult movie is Heavy Metal. I'm taken back to a time when my grandmother would take me to the grocery store with her and I would stay in the magazine isle reading Heavy Metal magazine and feeling like I was getting by with something. To be fair, this grocery store in North Little Rock, Arkansas also had Playboy out in the open too and I never once read any of the articles.

The Heavy Metal Soundtrack (1981) is the perfect soundtrack. The movie itself was nothing more than a random smattering of adolescent boy daydreams as if they jumped off the cardboard cover of a doodled spiral bound notebook. But the music tied it all together. The soundtrack from the Heavy Metal film is kick-ass arena rock and oh yeah, here are some aliens, violence, and naked warrior women to go with it.

I highly recommend driving in the middle between Dallas and Little Rock with the windows down and trying to belt out Sammy Hagar's "Heavy Metal" or Nazereth's "Crazy". Not only will you stay awake, but your car will transform into a 1960 Corvette that can reenter the atmosphere.

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74: Rusted Root – When I Woke

by mkanderson on Mar 8, 2010

Cover of "When I Woke"
Cover of When I Woke

Let's get a few things straight. I bathe daily. I am a super carnivore. I don't smoke pot. I can't normally keep a hacky sack in the air for more than one kick. Most of my clothes fit. Did I mention I bathe? With soap and shampoo? But....

I love, love, love Rusted Root's When I Woke (1994). I continually go back and play When I Woke.  It's world, pop, and rock all fused together by bodily odor and hippie lettuce. The songs take me away to a place where nobody has a job and trust funds pay for endless Taco Bell runs and protest signs. And I like it!

"Send Me On My Way" was their big single from the album and reminded me of David Byrne with hiccups, but in a good way. Like all great albums to be studied at my own personal School of Rock, all the songs matter. When I Woke is tangled mess of dreadlock goodness. From the opening "Drum Trip" your senses will be overloaded with bohemian overdrive followed by moody feelings of free love.   If you don't enjoy  "Food & Creative Love"  then you are dead inside.

Ironically, I first bought this CD at Walmart.  That is all.

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The Rock Renaissance Is In the Metal Scene

by mkanderson on Mar 5, 2010

Metal graphic by Mat Giordano

Every decade, some music journalist somewhere declares rock and roll dead and buried. This has been going on since the '60s. You know the spiel: corporatism, prima dona artists, greedy producers, the entire industry, take your pick, are all villains.  Somehow rock and roll survives. I'm not a music expert. I'm a fan. I love music and have with a passion since my past life as a bush near the crossroads where Robert Johnson sold his soul to the Devil so he could kick the blues' ass. Even as a young tot, there was something about rock that pulled me in. I clearly remember spinning Elton John, AC/DC, Three Dog Night, Steppenwolf, and Nazareth on my Winnie the Pooh record player. No, I'm not exaggerating and yes, Walt Disney's head is spinning in its cryogenic jar.

Pop music is what happens to good rock. Elton John, Billy Joel, Rod Stewart, and Kenny Loggins, for example, morphed from straight-up rock to light, adult-rock pussies. (Note: Phil Collins started out as one so he is not included.) "Selling out" is what people say happens to artists after a while. I don't think it's that as much as plain old burning out. Once they've burned out, it's not rock anymore.

Now that you know where I'm coming from, I'm going hypothesize that we are in the midst a musical dark age. Since everything is a formula and everything has to be about money, music has become canned, uninspired. So-called "alternative" music is just pop music with fake English accents. The hard rock radio stations play bands like Nickelback and 3 Doors Down with straight faces. It's still pop but with formulated guitar riffs and Eddie Vedder impersonators. Sure there are good rock bands, but in the big scheme of things it's a dark time. Producers and corporate suits call the shots. They are all about making music that sells. So for bands to be successful, they play by the rules and become distanced from their own fans and illiterate in the ways of true art. I'm imagining meetings where a group of suits examine a band to see if the hooks in their songs make 14 year old girls scream.

Just like the Irish saved civilization by remaining one of the last literate places on earth during the Dark Ages, metal is going to save rock. Metal is the last bastion for musicians who want to do whatever the hell they want to do and if they succeed great, if not, there are always other bands. The musicianship of bands like Gojira, Revocation, Melechesch, Suffocation, and Obscura demonstrates a new wave of serious musicians making bad ass music. While there is interesting things happening in the indie music scene, the metal scene is breaking out and leading the way for rock to follow.

As a huge fan of rock, I've become the biggest fan of metal in the past few years for the simple reason that it's just good rock music. Today's metal is the way rock is supposed to be. People talk about the quality of the bands and argue technical proficiency and lyrics and stage performance and song-writing quality. The reason people argue so fervently about those things is because it's art. Metal is connecting to fans today like no other type of music.

There's symphonic metal, death metal, thrash, hardcore, metalcore, progressive (or math) metal, folk metal, fusion metal... You get the idea. There is something for everybody. Support your local metal bands and become metal literate. Today's metal artists are blazing trails while other mainstream musicians are still trying to figure out how to get airplay for the love ballad their producer made them record.

See also: Mat Giordano's post "Happy Metal Friday", which is where I got that kick-ass graphic. Also on Twitter, start paying attention to the #metal and #metalfriday hashtags.

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Bookmarks for 03/05/2010

by delicious on Mar 5, 2010

These are my links for 02/18/2010 through 03/05/2010:

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My Struggle with Depression

by mkanderson on Feb 25, 2010

I've waffled for years about publicly writing about my bout with depression. This article you're reading now has resided in my drafts in some form for about two years now. My depression is there as part of me. It runs in my family and consequently I have had to learn to just deal with it. I know it helps when you meet people who have depression and they can actually function. Maybe this article will help somebody out there.

David Foster Wallace at the Hammer Museum in L...

Image via Wikipedia

In September of 2008 one of the greatest writers of our time, David Foster Wallace, committed suicide. He hanged himself. This was a complete shock to me. I enjoyed his work before, but I was unaware of his life-long struggle with depression. Wallace was the writer's writer. He was brilliant and made me look at fiction in a totally new way. After this tragedy, articles started popping up online about the link between his brilliance as a writer and his depression. Sadly, observers are quick to make this link about creative people as if they are show ponies.

While history is full of depressed geniuses the reality is that depression is called "depression" for a reason. Depression keeps its victims from functioning. There is nothing glamorous, fun, or vogue about depression. It is a continuous struggle and those in its throes can ruin their whole lives without caring about much of anything close to a creative thought. My most creative moments have been under a deadline not from within a cloud of self-loathing. Those who think depression is a plus for any artist, writer, or scientist have not slept through life, destroyed their families, or alienated themselves from all of their friends.

In my case, I'm biologically predisposed to having depression. The fact I had a fractured family and my father was in and out of my life like trendy fashion only sealed the depression into my life for good. It came to a head in 2003 when I moved my family from Chicago to the DFW area. I remember lying on my father's couch surrounded by stuff we didn't put in storage. I don't know how long I'd been on the couch but a lot of time had passed; my phone rang and my inbox filled up. I was avoiding clients and caught a clear glimpse of reality. I found a doctor and asked, "how do you know if you have depression?" Since then I've been receiving treatment, but it took a lot to climb out of that hole. Today I realize that even when I thought I was better, I was on my way to getting better but some of the behaviors and feelings still linger.

The walls are lined with shattered hopes of escape
Image by c@rljones via Flickr

Around 2007 I left a startup company and inadvertently burned bridges there. I took a full-time job and started my real recovery. Getting by with depression is as much about self discovery as it is about receiving medical treatment. I had to swallow the most bitter of pills: I was not meant to own and run a business. The specific stress associated with self employment pushed my buttons like nothing else. Piss-poor health care, risk taking, unstable income, and especially the sales process were triggers for my depression. After joining Sprint, a company I love more than any other I've worked for, my depression started improving. Having solid benefits and believing in my work started healing old wounds.

The second thing to happen to me was Twitter. My friend convinced me to join Twitter and jump in. Being the introvert I am, I mocked Twitter from the sidelines. However, as someone on Twitter pointed out, it was like study hall. I was connecting with professional people again, something I hadn't done since I lived in Chicago. I branched out and next thing I know I'm in the UX community. I think this is a unique community. I was used to people being protective of their knowledge and territorial with their experience. UX people aren't like that. They are a supportive lot and they encourage each other in ways that was foreign to me. They root for each other at conferences and help each other out with all sorts of problems. I felt at home. The UX movement was at a place I arrived myself, but from a different direction. I have this strange way of seeing how system interlock and I realized I was a UX'er without being called one (more on that in a future article). So Twitter fit like a glove and I've not looked back.

How do I deal with depression? Now I have a set of rules I made for myself that are based on how things should be, not how I feel. Regardless of how I feel, I must follow my rules. My rules include everything from keeping my job to adhering to a regular bedtime, all without getting caught up in the day's feelings. So it's not as easy as it sounds, but it's something I can use to keep me anchored. I know when I'm  too far away from them and I correct myself. Feelings can betray me at a moment's notice but pre-determined rules override those.

I continue to stay heavily involved on Twitter because it's an excellent way to be in a professional community without sacrificing a lot of time.  I try to keep my blog updated, but it's not how I make my living so it goes to the back of the line when necessary. It is possible to function with depression. I still have bad times that may last for days. However, it's manageable. In fact, overall I haven't felt this good, ever.

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Bookmarks for 02/18/2010

by delicious on Feb 18, 2010

These are my links for 02/04/2010 through 02/18/2010:

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75: Queen – The Game

by mkanderson on Feb 10, 2010

Queen's The Game (1980) is one of those albums I wore out until you could see through the vinyl. The Game is Queen at the beginning of a change to less experimental but still incredibly strong songs. From the opening track "Play the Game" the controlled power of Queen is on full display.

My favorite track on the whole album is "Dragon Attack". Probably the most played song from any album I've owned. Roger Taylor's outrageous drum solo makes me want to break things (in a good way).

This was one of the last albums to feature all members of Queen singing vocals on various songs. Remember after Freddie Mercury was diagnosed with AIDS and became ill, the band chose him to front most of the newer material, which is understandable. But don't forget that Brian May, Roger Taylor and John Deacon all sang their own songs on most previous Queen albums.

While the radio overplayed "Another One Bites the Dust" (or as Southern Baptist ass wads thought it was called "Decide to Smoke Marijuana" when played backwards) or "Crazy Little Thing called Love" I had already dug into "Coming Soon", "Need Your Loving Tonight", "Sail Away Sweet Sister," and "Save Me", which still gives me chills. When I played The Game, it always received my full attention.

The School of Rock requires six hours a week with The Game until you're absolutely certain you won't try suicide, because nobody gives a damn.

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76: Pushmonkey – Pushmonkey

by mkanderson on Feb 9, 2010

Cover of "Pushmonkey"
Cover of Pushmonkey

The only reason you probably don't have Pushmonkey's self-titled album (1998) is because you weren't listening to WONC in Naperville, IL in 1998. They started playing "Caught My Mind" and I was hooked. I special ordered the CD from a music store in Austin, TX, the band's home base. This album is everything a good rock album is. While over-produced by some standards, the songs are fantastically arranged. Every song on Pushmonkey is an earworm waiting to eat your brain.

Pushmonkey is Pushmonkey's second album, but they had been around since 1994 and by the time the album was recorded, they were tight."Handslide" was the single that made some mainstream radio playlists, but I think they were a little too weird to see much success from it. But that's fine by me.

Tony Park, the lead singer, also plays trumpet. His trumpeting is showcased in "Maybe", a remake of "Sweet Caribbean Bungalow" from their debut album, Maize (1994). "Maybe" is one of those tracks I've actually put on repeat alone during one of my sociopathic song obsession episodes.

The School of Rock commands you to buy this album and listen to it until those little earworms make it to your hypothalamas, at which point you will need to put on some Metallica to kill them.

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Open Query Letter for My Own Business Book

by mkanderson on Feb 9, 2010

Proposed Book Cover for I Challenge You To a Douche

I have an idea for a business book, but I'm really lazy. Sending off book proposals takes time and energy and follow-up and seems so last century. However, I have a burning desire to cash in on the whole business book thingy. I suppose I could write the book on spec, but that takes away from my Wii, Twitter, and beer drinking time. So then it struck me: I'll just write an open query letter and wait for the check. So here it is:

Dear all business book publishers in the whole world:

It is apparent that anybody can write a business book of some sort and it's common knowledge that sales of business books are directly proportional to the douchiness of their authors. Lately a strong trend toward massive cultural douchebaggery in the business world indicates there is a market for unapologetic douche books. I Challenge You To a Douche will be the sort of book to lay it all out there without the messy metaphors for dick behavior and excuses hidden behind corporate altruism.

Through extensive research conducted by my own passive observations, unapologetic douches are getting away with murder. While this is presently somewhat profitable, I believe the next trend will be how-to guides on how to piss off people and alienate oneself from friends and family, all for the sake of a buck. I can extrapolate trends from political book sales. Some of the biggest douches of our time are authoring best-selling books that are nothing more than agenda-driven manifestos intended to polarize people into one of two strict philosophical camps that exist solely for best-selling douches to exploit. Current American culture has already become jaded with politics and economics, so business books must ratchet up to the next level or they'll go unnoticed.

With social media on the rise, douchebaggery is at an all-time high. Business authors must be willing to whore themselves out to any and every conference, speaking engagement, presser, and influential cougar. Naturally as a yet unpublished author, I'm not running in those circles yet, but am willing to make an ass out of myself if it means I won't dry-rot in a cubicle until I deplete my half-life. I am more than willing to do press junkets, book tours, and even appear as a Fox News commentator (please provide details of mental health insurance coverage). I'll even do lesser known venues like PBS or MSNBC. Again, me=whore.

As for marketing the book, I am probably not the best model to put on the cover. My balding, bulbous head may confuse people into thinking the book is about the Death Star. I suggest  you ask Sean Hannity to model for me. Not only is he one of the biggest douchebags in modern society, but his hair somehow mesmerizes the wallet. His mountain of cash and over-saturation in all forms of media are a testament to his hypnotic do.

I have prepared an outline for the chapters to be included in I Challenge You to a Douche:

  • Introduction by Bernie Madoff
  • Chapter 1: Seven Habits To Make You Highly Affected
  • Chapter 2: Getting Things Done is for Schmucks
  • Chapter 3: The Toyota Way: 14 Ways to Cover-Up Mistakes
  • Chapter 4: The Filth Discipline
  • Chapter 5: Unleashing the Idea Anti-Virus
  • Chapter 6: I Poisoned My Cheese and Left It For You to Find
  • Chapter 7: Rich Dad, Poor Dad, Red Dad, Dead Dad
  • Chapter 8: Beyond Baked Solid
  • Chapter 9: The Tip of Your Point: How Little Things Can Be Mocked
  • Chapter 10: What the Dog Humped

Like most modern business books, all research will be non-scientific and subjective to suit whatever point I'm trying to make. In addition the text of I Challenge You to a Douche will be laced with arrogant business jargon, meaningless graphs and charts, and anecdotes from my own experience that can't possibly apply to any other situation. However, upon completion the reader will feel good about being a douche and will shell out for my follow-up book: I Know Where Your Children Sleep: A Guide To Motivating People.

Please contact me if you feel you can rescue me from my Dilbert-esque existence. Checks must be in US dollars and contain lots of zeros.

You're Welcome,

MK Anderson

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77: The Smiths – Louder Than Bombs

by mkanderson on Feb 8, 2010

Ah the 1980s. AOR ruled the airwaves and mullets were acceptable. People actually drank beer from cans and cruised in muscle cars up and down streets in order to demonstrate who coud play Dokken louder from their Fieros, 280 ZXs, and barely bolted together American muscle cars. Before our culture circled a drain of stoner burn out rock, one band came down from the heavens to show us how music didn't need to be all about Sweet Connie or boys coming back to town.

Rock takes on many forms and The Smiths' Louder than Bombs (1987) is required listening at my School of Rock. American angst in rock took a nose dive in the mid-80s and if it wasn't for Enlish new wave, then Warrant's Cherrie Pie might be the only contribution from that time.

The Smiths brought rock back to its core of guitar-oriented rock framed around angsty lyrics written with a sense of humor.

Louder than Bombs is a compilation album originally intended for American distribution but was so popular, it eventually became available in the UK. The Smiths set the gold standard for alternative bands who wanted to wright about more than drinking and boobies. Even today, Louder Than Bombs stands out as a finely crafted collection of masterful songs that don't take themselves too seriously.

Your assignment is to listen to Louder than Bombs and identify The Smith's influence in about every performer playing complaint rock since the late 80s. They're still the best. Get your angst from the source and forget Blur and James.

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